When you’re the daughter of two opera singers, and spent your childhood observing your parents onstage in classic melodramatic fair, it’s safe to assume that you know how drama and suspense work. Actress Rosamund Pike is the aforementioned daughter of two opera singers, and it seems as if her flair for the dramatic has helped her with her latest project, Gone Girl. Adapted from Gillian Flynn’s best-selling 2012 novel of the same name, the movie is just as suspenseful as the book. Not only that, but Pike’s performance as the complex Amy Dunne is astonishing to watch. Nominated this year for both a Golden Globe and a Screen Actors Guild Award for her role, Rosamund Pike gives a performance few actors would be able to achieve. Amy’s nuances and complexities are accompanied by the fact that viewers never really know which aspects of her personality are truthful. British-born Pike, plays New York native, and Missouri transplant Amy Dunne to a tee. Without giving away major plot points, I will say, that she plays all the layers so perfectly that for the time being, it’s hard for me to not vote for her for the SAG Awards. She legitimately plays an honest-to-goodness sociopath, and it’s fascinating to watch her transformation. Director David Fincher has always been one of my favorites, and he doesn’t disappoint. However, with both Flynn’s novel and her screenplay (which she adapted herself), I will ask her this: What’s up with that ending?
Want to know more? Gone Girl is currently available On Demand, Amazon Prime, and also stars Ben Affleck and Neil Patrick Harris. Gillian Flynn’s novel is available both online, and at your local bookstore.
A few years ago, I started working on the concept of a solo performance that dealt with my learning to walk again at the age of 13. A few months ago, I wrote an article about my life as an actor with a disability called Early for Everything. Expanding on that article, and continuing the work that I started a few years ago, I am writing a solo show dealing with my disability–or as I like to refer to it, “Different Ability.” Both a gratifying and emotionally taxing process, writing this show and seeing it to fruition is both a personal and professional goal. I think there needs to be more diversity in casting, not just with ethnicity or gender, but in terms of different abilities. People with disabilities, myself included, deal with stigmas and adversity on a daily basis. Whether we are battling our demons or trying to clarify “what we have” to someone who doesn’t understand, our disabilities are always with us. The thing about us as performers that led us to be excluded from things like gym class (seriously, I was in third grade and told to sit out because I would “slow the other kids down”) becomes one of the things that makes us stand out. We are intelligent and we are just as alive as anyone else and it’s important that others realize that. Over the years, I have been scared of being myself. Even as an adult, I have been afraid of rejection if the “truth comes out” about my cerebral palsy. Then I realized, I never let it hold me back as a kid, why let it hold me back as an adult? Writing the show has been cause for reflection–some good, some bad–but in the end I’ve realized that my voice needs to be heard. I need to help people understand that just because someone is physically disabled doesn’t mean they are any less worthy of achieving their dreams.