#Laughter is the Best #Medicine: Binge-Worthy TV Shows For When You’re Sick

My current state is that of a cesspool of germs. To cope these past 3 days, I’ve resorted to Netflix overdosing, in addition to tea, and over the counter medicines.

Deadly Women (TV Show airs on Investigation Discovery channel and is streaming on Netflix)

It’s cheesy, I know. But, it’s addictive. Watch it just for the re-enactments alone. There are also soundbite gems from former FBI profiler, Cadace DeLong. Apparently every case is the weirdest one she’s “ever studied.”

Breaking Bad (Airs on AMC, currently streaming on Netflix. Just ended. Sad.) Seriously, if you haven’t seen this show, it’s not too late to get sucked in. It’s insane and totally worth the binge-watching if you’re sick. It’s just as addictive as that blue meth they peddle on the show. Get watching!

 

 

 

 

 

 

The Wonder Years (Aired on ABC from 1988-1993; Available streaming on Netflix) If you ever wish that you could have your Mom tuck you in and feed you chicken soup again and curse being an adult, the Wonder Years is for you. Kevin Arnold can help you get through anything…from your first crush, to your cold.

 

 

 

 

 

 

 

 

 

30 Rock (aired on NBC, currently streaming on Netflix) Have no fear, whatever state you’re currently in with your illness, chances are, Liz Lemon has had a day that is far worse than yours. Revel in the fact that this show is so funny that you’ll laugh the whole time and get better quickly.

 

 

 

 

 

 

 

 

 

The West Wing (aired on NBC, currently streaming on Netflix) Until our real government re-opens, why not watch one that is actually functioning. The West Wing is perfect for that and with writing like Aaron Sorkin’s, you’ll never get bored.

 

 

 

 

 

The Riches (aired on FX for two seasons, currently streaming on Netflix) This only lasted two seasons, but if you are a mega-fan of Breaking Bad and are going into Walter White withdrawal, check out The Riches with Eddie Izzard as the bad guy and he’s hysterical at it. “A family of crooks assume the identity of an upper-middle-class suburban clan in the Deep South.”–IMDB

 

 

 

 

 

 

 

 

 

 

 

 

Raising Hope (currently airing on Tuesdays at 8p.m. on Fox, the first three seasons are streaming on Netflix): Theater and film vets Martha Plimpton and Cloris Leachman co-star in this hysterical series about a 20-something guy who is left to raise his daughter. Oh yeah, Martha Plimpton (you know, from the Goonies) plays the grandmother.

 

 

 

 

 

 

 

 

 

Psych (airs on the USA Network, streaming on Netflix): If you’re a fan of Law & Order, but wish it were, you know, funny, this is the show for you. Plus, it’s a fake detective agency and they are more often than not better than the detectives.  Oh, and four words: Clue. Movie. Tribute. Episode.

 

 

 

 

 

 

 

 

The Office (aired on NBC, streaming on Netflix) Hey, when you’re out sick, at least you’re not at work. Why not take some time to vicariously laugh and prank co-workers by watching episodes of the Office? 

Malcolm in the Middle (aired on Fox, streaming on Netflix): For the lighter side of Bryan Cranston before he broke bad, pre-Heisenberg, from 2000-2006, he was just a laughable, fun-loving dad named Hal. Not to mention, Cranston got Emmy and Golden Globe nominations from this series as well.

Taking Advantage of a “Career Lull”: Using My Words

What do I have in common with Steve Martin, Tina Fey, James Franco, and Andrew McCarthy? We’re actors who are also writers. You read that correctly, Andrew McCarthy is, in fact, a writer. He’s an award-winning travel writer. Check out some of his stuff on National Geographic Traveler. Now, I’m not talking about actors who all of the sudden want to “write” their memoirs, and get a ghost writer to do it for them. I’m talking about people with actual skills, who do their own writing. As a matter of fact, Tina Fey and Steve Martin actually STARTED OUT as WRITERS. I’m guessing they did it while they were pursuing acting as well, due to the fact that they are in both realms of the industry. Granted, there are those actors who have also written screenplays or stage plays, and blogs,  but that’s a different type of article all together.

I started acting when I was around the age of 8, maybe 9.  But I started making up stories as soon as I could talk. I even had an imaginary friend when I was 5 who I would tell my stories to. Her name was Jinglelyn, and again, I was 5. When I actually learned to read and write, writing took a back seat to performing onstage. I had found my passion for storytelling on stage. And I loved it. It’s my first love. Telling stories, no matter what shape or form, is what I love.

What I find funny now, is the fact that my parents kept giving me journals on my birthdays or Christmas, and I never really used them. I wasn’t really a “dear diary” type of girl anyways. It seemed sort of silly to recount my day on paper. I started writing short stories and plays, and when I got to high school, I helped start up the creative writing club at my all-girls, Catholic high school. I wrote stories, parts of novels I was working on, and seriously wanted to become a writer and an actor when I grew up. I was involved in anything creative. I sang in choirs, acted in the school plays and wrote stories. My English teacher even gave me a writing award my junior year of high school.  When I got to college, I majored in English because I love the element of story-telling, plot and characters. I thought it would help in the acting realm because I was able to learn about the different things that make up a good story. It was sort of like four years of script-analysis. I acted throughout college, even directed. My senior year of college, I got my first headshots and auditioned at my first major theater convention, which led to moving to NYC to study at Circle in the Square Theater School.

Within these past six years, I have been acting and putting writing on the back burner. I got my union cards and even pursued stand-up.  The closest I came to writing, before starting this blog, was stand-up comedy, which I still love because you can create your own material.  I started this blog because I wanted to get back into writing, and I wanted to write something from the perspective of an actor who was going through the ups and downs in their career. Not someone who is washed-up and giving advice. I’m still in the trenches and being in a  career “lull,” I have been writing about what I love. Movies I love, movies I loathe, anything and everything that has to do with the industry, with a unique perspective. It seems like I’m in good company of those who came before me. If you use all of your talents, it can lead to something. What that is, I don’t know. But I am pursuing my writing and my acting. So I guess I can add a back-slash to my job description. I’m a writer/actor. And I’m so glad you are reading my blog. Thanks.

Join The Family Business: Acting with Your Relatives–Marcia Gay Harden & Daughter, Eulala Scheel in “Home” (I) (2008)

Gwenyth Paltrow and mother, Blythe Danner star together in 2003’s “Sylvia,” as mother and daughter.

Joining the family business. For most people, it means working for your father in his small business in town or tagging along during board meetings in an office building. For children of actors, they have another option: act with their parents (and/or relatives in the business.) Did you know that Blythe Danner and Gwenyth Paltrow have appeared together when Gwenyth was still in the womb? Blythe appeared on an episode of Columbo when she was five months pregnant with her daughter. Yep. Some people really do start off young. Subsequently, Blythe Danner and Gwenyth Paltrow have appeared together on stage and screen as mother and daughter numerous times. Most recently in the 2003 biopic of poet, Sylvia Plath, with Gwenyth in the title role. Martin Sheen has appeared on screen with all of his children: Emilio Estevez, Charlie Sheen, Renee Estevez and Ramone Estevez. Before Sofia Coppola was a writer/director in her own right, she appeared in dad, Francis’ movies: The Godfather Trilogy, Peggy Sue Got Married, Rumble Fish, The Cotton Club.) Francis Ford Coppola is rather famous for using family members in nearly all of his films. Actor Campbell Scott, the son of actors George C. Scott and Collen Dewhurst, acted alongside his mother in what was one of her last performances in Dying Young.

Having a famous parent as an actor can even help when casting the “younger” version of a character. Most recently, Tina Fey gave daughter Alice a cameo on 30 Rock where the little one played a pint-sized Liz Lemon. Meryl Streep actually got work due to daughter Mamie Gummer’s involvement in the 2007 film, Evening. They played the same character at different ages. Also in the movie, the late Natasha Richardson playing the daughter of real-life mother, Vanessa Redgrave. How cool is that?

In recent years, a certain film has caught my eye. The movie is called Home, one of several films of the same name that came out in 2008. It stars Oscar-winner, Marcia Gay Harden, and her daughter, Eulala Scheel. I stumbled upon this little gem of a movie because it was streaming on Netflix. I love Marcia Gay Harden’s work, so I decided to check it out and it was fantastic. In fact, it’s not the first time Harden and her daughter have appeared together on screen. The first was in Harden’s Oscar-winning film, Pollack in 2000 when Eulala was two. Then came the made-for-television movie Felicity: An American Girl Adventure, Home, and Whip It (Drew Barrymore’s directorial debut.) In nearly all of her work, she has played her mother’s daughter. This year, she has managed to break the cycle and appear on a few episodes of Workaholics sans mama, Marcia.

From IMDB:

Home (I) (2008): Inga (Academy award winner Marcia Gay Harden) is a poet. She wants to buy and restore a house she is drawn to that reminds her of her childhood home, but her distant husband Hermann sees little value in it or many of the things Inga loves. Inga realizes that many things in her life are coming full circle. Her crumbling marriage is a stark contrast to her relationship with her 8-year-old daughter, with whom she shares her hopes, fears and inner-most thoughts following her recovery from breast cancer.

I’ve been trying to find a specific clip from the film to put with the article, but it doesn’t seem to be found online on its own. It truly shows the power that real-life relationships can bring to a film. As with any real-life on-screen pairing, truth is achieved with ease and not manufactured (most of the time.) That’s because there is a history, a relationship that the actors have with each other that they can bring to the screen. Eulala is confronting her mother Marcia as her character, but it’s so real and raw from the two actors, I wonder how they felt at the end of that shooting day. The film as a whole is emotional, true to life and extremely under the radar. It’s worth seeing.

On another note, not everyone related to someone in the industry goes into the family business. There’s a certain celebrity chef who has made a name for herself all on her own: Giada De Laurentis, granddaughter of legendary film producer, Dino De Lauurentis (La Strada, Hannibal.) But, for those who have acted with their relatives, more power to you. I don’t know what I would do if I were Mamie Gummer. Living up to Meryl Streep’s acting ability is quite a challenge. I wonder if Daniel Day-Lewis’ kids will follow in his footsteps too. Who knows.