A Matinée is an afternoon performance. They’ve always been a favorite of mine as an actor. Performing on two-show days can be exhausting, but well worth it in the end. Today, I went to a 2:00 p.m. performance of Giselle. That performance just so happened to mark the NY debut of ABT soloist, Isabella Boylston in the title role. The last time I was at The Met, I saw Diana Vishneva in Manon and sat in the Family Circle–the affordable seats. Although the view is high up, I was able to view everything with perfect clarity. For a ballet, it is actually beneficial to sit high up because it makes it easier to see every variation and formation. I actually saw details that those in the orchestra or balcony seats might miss.
Giselle is interesting. It’s the story of unrequited love, and a young peasant girl who dies from a broken heart. There is a specific part in Act 2 which was amazing to see from above. Act 2 deals with Albrecht’s mourning of Giselle and his encounter with the Willis, the ghosts of women who died before their wedding day. They are lead by Myrtha, the Queen of the Willis, and Giselle becomes one of them. It was hauntingly beautiful to watch, and something I will never forget. Here is part of the Willis’ dance. It’s about 15 minutes long in its entirety, so here is just an exerpt from the Dutch National Ballet production:
The amount of grace and lightness that it takes to portray all of the characters in this show is quite difficult, but I thought that for a matinee, with the cast that was performing, ABT did a fantastic job. Before I forget, there’s also the famous “Giselle Variation.” Pay attention to the footwork… it will amaze you. Here it is performed by ABT principal dancer, Gillian Murphy, with the Royal New Zealand Ballet:
Overall, I enjoyed my afternoon at the ballet. It was well worth the time. I am glad I finally got to see one of my favorite ballets live and in person. I’ll keep a lookout for Isabella Boylston. I wouldn’t be surprised if she is promoted to principal dancer soon.
A Few years ago, I saw the 2006 documentary called Ballerina. The film features profiles of five different dancers of Russia’s Marinsky (Kirov) Ballet throughout the piece. One dancer in particular caught my attention: Diana Vishneva. She was rehearsing the ballet Manon with the Paris Opera Ballet. Instantly, I was moved by it, and thought that if I ever got a chance to see it live, I’d go. Well, it just so happens that Vishneva is also be a member of the American Ballet Theatre. Last night, I got to see Manon performed live with Diana Vishneva, Marcelo Gomes and Misty Copeland.
I arrived early (like always) and good thing I did, because it immediately started to downpour the second I stepped into the lobby of the famed Metropolitan Opera House. I have lived in NYC for 7 years, and it is sad to say that I had never seen a show at The Met. I had seen a few operas at NYC Opera at the David H. Koch Theater, but nothing at The Met. Over the past few years, I have frequented Lincoln Center as if it were an extension of my home. Friends and colleagues have worked there, and to be honest, I find a sense of peace whenever I sit next to the fountain. Despite the tourists, I think in NYC, it is my happy place. I waited for an hour for the house to open, but it was totally worth it. For once, I wasn’t at the Met in the middle of the day. My seat was at the very top front row, and for $26 I got my workout for the day. Granted, I could have taken the elevator, but I felt like going through the maze of red carpeted stairs and walls in my red dress–it was fun. As I took my seat before the show, I also came to realize that it has been years since I heard a pure unadulterated orchestra live. Mind you, I have seen numerous musicals, but to just hear the orchestra throughout the show without singing gave me quite a thrill. Hearing the violin section warm up gave me such a sense of happiness in my heart that I haven’t felt for some time. I was never the greatest violinist, but I did find great joy in playing it growing up.
Once the ballet started, it was amazing just how fluid and at ease the dancers were. The Corps de Ballet was just as entertaining as the Principal dancers. The second that Marcelo Gomes made his entrance there were cheers, but it was nothing compared the the overwhelming reaction to when Diana Vishneva finally took the stage. The beauty and grace of both of them together was magical. You could see the history they had together as dance partners, and it was one of the most amazing things that I have ever witnessed. It’s difficult to put it into words the type of energy they had, and the emotions I felt when they were dancing. On a lighter note, Misty Copeland added some much needed fun to a rather dramatic ballet. For those who are unaware, Misty Copeland is the only African-American Female Soloist with ABT and the second in its history. For what it’s worth, after seeing her performance last night, and the fact that she recently made her NYC debut in Coppelia dancing the lead role of Swanilda, she needs to be promoted to Principal dancer–STAT.
The entire cast was amazing and I’m so glad I got to see Diana Vishneva and her flawless technique. What was even more surprising was the reaction at the end of the show. During the curtain call, it started normal, but the reaction to Diana Vishneva was so palpable that it had an energy all its own. People stood and cheered for close to 10 minutes without stopping. The entire curtain call seemed to last about 20 minutes as a whole. That experience alone was worth the price of admission.
I needed to see that show last night. I needed to see an art form I have respect for. While unable to dance myself, I needed to feed my artistic soul. I needed the let the creativity that is in me live through those dancers for a night. I needed to see the beauty of movement, lightness, and grace. The artist in me needed it like food for my soul. And boy, was it a good banquet.
Oh, and Happy Anniversary Diana Vishneva! She celebrates her 10 year anniversary with American Ballet Theatre this year!
Below is the quintessential scene from the ballet Manon, danced by Diana Vishneva and Marcelo Gomes at the Dance Open in 2011:
What do I have in common with Steve Martin, Tina Fey, James Franco, and Andrew McCarthy? We’re actors who are also writers. You read that correctly, Andrew McCarthy is, in fact, a writer. He’s an award-winning travel writer. Check out some of his stuff on National Geographic Traveler. Now, I’m not talking about actors who all of the sudden want to “write” their memoirs, and get a ghost writer to do it for them. I’m talking about people with actual skills, who do their own writing. As a matter of fact, Tina Fey and Steve Martin actually STARTED OUT as WRITERS. I’m guessing they did it while they were pursuing acting as well, due to the fact that they are in both realms of the industry. Granted, there are those actors who have also written screenplays or stage plays, and blogs, but that’s a different type of article all together.
I started acting when I was around the age of 8, maybe 9. But I started making up stories as soon as I could talk. I even had an imaginary friend when I was 5 who I would tell my stories to. Her name was Jinglelyn, and again, I was 5. When I actually learned to read and write, writing took a back seat to performing onstage. I had found my passion for storytelling on stage. And I loved it. It’s my first love. Telling stories, no matter what shape or form, is what I love.
What I find funny now, is the fact that my parents kept giving me journals on my birthdays or Christmas, and I never really used them. I wasn’t really a “dear diary” type of girl anyways. It seemed sort of silly to recount my day on paper. I started writing short stories and plays, and when I got to high school, I helped start up the creative writing club at my all-girls, Catholic high school. I wrote stories, parts of novels I was working on, and seriously wanted to become a writer and an actor when I grew up. I was involved in anything creative. I sang in choirs, acted in the school plays and wrote stories. My English teacher even gave me a writing award my junior year of high school. When I got to college, I majored in English because I love the element of story-telling, plot and characters. I thought it would help in the acting realm because I was able to learn about the different things that make up a good story. It was sort of like four years of script-analysis. I acted throughout college, even directed. My senior year of college, I got my first headshots and auditioned at my first major theater convention, which led to moving to NYC to study at Circle in the Square Theater School.
Within these past six years, I have been acting and putting writing on the back burner. I got my union cards and even pursued stand-up. The closest I came to writing, before starting this blog, was stand-up comedy, which I still love because you can create your own material. I started this blog because I wanted to get back into writing, and I wanted to write something from the perspective of an actor who was going through the ups and downs in their career. Not someone who is washed-up and giving advice. I’m still in the trenches and being in a career “lull,” I have been writing about what I love. Movies I love, movies I loathe, anything and everything that has to do with the industry, with a unique perspective. It seems like I’m in good company of those who came before me. If you use all of your talents, it can lead to something. What that is, I don’t know. But I am pursuing my writing and my acting. So I guess I can add a back-slash to my job description. I’m a writer/actor. And I’m so glad you are reading my blog. Thanks.