Quantum Leap: Acting Exercises in a Television Series

Quantum Leap is an American television series that was broadcast on NBC from March 26, 1989 to May 5, 1993, for a total of five seasons. The series was created by Donald Bellisario, and starred Scott Bakula as Dr. Sam Beckett, a quantum physicist from the near future who becomes lost in time following a time travel experiment, temporarily taking the places of other people to “put right what once went wrong”. Dean Stockwell co-starred as Al Calavicci, Sam’s womanizing, cigar-smoking sidekick and best friend, who appeared as a hologram that only Sam, animals, young children, and the mentally ill could see and hear. The series featured a mix of comedy, drama and melodrama, social commentary, nostalgia, and science fiction, which won it a broad range of fans. One of its trademarks is that at the end of each episode, Sam “leaps” into the setting for the next episode, usually uttering a dismayed “Oh, boy!”–Wikipedia.com

There’s one thing Wikipedia left out. It’s one of the greatest television series to incorporate basic acting exercises. When actors were little kids, they probably played “make believe” like all the other children. What we actors didn’t realize at the time was, we were actually doing some of the most basic acting exercises. We’d play the teacher, the mother, even the animal. One of the theater/improv games I still enjoy is “freeze” where a performer is able to tag anyone out of the scene and start a new scene. Essentially, that’s what Quantum Leap was as a series. The main character is often disoriented and needs time to re-gain their footing and adjust accordingly to the circumstances around him. Scott Bakula played everything from a young kid, to an animal, even a different gender and race without the use of special effects or offensive makeup. He played the characters as they were, all of the time, we as an audience were seeing him as he actually looked. The most basic of acting games was now utilized in a complex television series.

What I love is that Bakula was able to play all these different characters while maintaining is primary character of Sam. However, the most interesting parts may just come from the supporting cast around him. The actors who had to act alongside Bakula and treat him as if he were a kid, woman, animal or gangster. It’s amazing to look at the series from an acting perspective because it reminds me of scene study classes. Part of me wishes that all series were as amazing as this one. If you’re an actor, watch it. It’s a great learning tool and a wonderful reminder how much fun pretending is.

Two By Two: The Revenge of Julia and JLo

Back in the day, Julia Roberts and Jennifer Lopez actually acted. Like legit, acted. And, back in the day, they both made the same crappy movie–a decade apart. Well, not the same movie. But 2002’s Enough was definitely a rip-off of 1991’s Sleeping with the Enemy. All they did was add a kid to the mix. Thanks, Hollywood. Are there NO ORIGINAL IDEAS ANYMORE? What gives?

Okay, here’s the run-down. Julia Roberts stars in Sleeping with the Enemy fresh off of her successes in Pretty Woman and Steel Magnolias for which is received Oscar nominations for both films respectively. According to the summary, “A young woman fakes her own death in an attempt to escape her nightmarish marriage, but discovers it is impossible to elude her controlling husband.”–via IMDB.

Jennifer Lopez, on the other hand, is the driving force behind Enough; coming off of such hits as Tarsem’s The Cell, Oliver Stone’s U Turn & c0-starring with George Clooney in Out of Sight. According to its summary, “On the run from an abusive husband, a young mother begins to train herself to fight back.”–via IMDB.

Hmmm…something’s fishy. I really want to know who green-lit Enough because it’s essentially the same damn movie. And I paid to see it in the theater. I was 18 and going through a “JLo is a good actress” phase. She’s still a good actress, but she let the fame get to her head. Anyways… Is a decade too long to ask for your money back? Here’s the sitch: Wife is abused by her husband. Wife escapes husband. Husband searches for wife. Husband finds wife. Wife fights back. Wife kills husband. The end. In BOTH movies.

Need proof? Here are the trailers:

The voice-overs for the trailers are nearly identical. I rest my case.

The most prominent differences between Enough and Sleeping with the Enemy are the fact that one has a kid, one doesn’t; Enough has a fight coach, SwtE has a love interest. But BOTH are being pursued by their vicious husbands and take revenge. Grrr. GIRL POWER!

I gotta give the creepy husbands some credit though. It takes a strong actor to play the stereotypical abusive husband and do it differently. Although, Patrick Bergin (SwtE) and Billy Campbell (Enough) both play characters who are excessively wealthy. The difference comes in the snake-oil salesman approach with which Patrick Bergin plays Martin. It’s truly an over-the-top performance. That doesn’t help Julia Roberts performance, which is actually quite good in this movie. Again, Billy Campbell has the suave businessman approach to his character as well, but JLo just seems to be recycling what every other actress who plays an abused wife does–until the end. Then she kicks some serious ass. Too bad the exciting part is only at the end with Enough.

I also think that the writer was trying to play the sympathy card with JLo’s plight because she had a kid. You add a kid to mix and suddenly, it’s the ultimate revenge movie. I noticed this with Ashley Judd’s performance in Double Jeopardy as well.  If hell hath no fury like a woman scorned, then I don’t even want to imagine what that’s like when a child is involved. Apparently it includes massive amounts of strength training and target practice. Julia Roberts, I’m sorry to say, missed out on target practice. Probably because her storyline lacked the “I’m a mother protecting my offspring” element.

If you want to see Julia Roberts rebuild her life after faking her death, or JLo kicking some serious ass, watch these movies. For the time being, Sleeping with the Enemy is available to stream on Netflix. Just for the hell of it, put Enough in your queue and when you get it, just fast forward to the last scene.

Oh, and as a side note, WHY does every movie that has someone “building a new life” include the painting of room? My guess is art therapy for the actors so they can handle  the stress of being in a bad movie.